The cover art for The Dragon Tamer placed 3rd out of around 2400 and won a Rainbow Award! Woohoo! I owe it all to Shobana Appavu, the cover artist. ;) As part of the post-Rainbow-Awards celebration, The Dragon Tamer will be 25% off at Dreamspinner Press until December 8!
Showing posts with label cover art. Show all posts
Showing posts with label cover art. Show all posts
Sunday, December 2, 2012
The Dragon Tamer - Rainbow Award Winner for Cover Art
The cover art for The Dragon Tamer placed 3rd out of around 2400 and won a Rainbow Award! Woohoo! I owe it all to Shobana Appavu, the cover artist. ;) As part of the post-Rainbow-Awards celebration, The Dragon Tamer will be 25% off at Dreamspinner Press until December 8!
Thursday, November 1, 2012
Lucky - Christmas Novella
I have a whole lot to catch up on, including my adventures at GRL and random stuff about the Undead Series, but for now, have a cover and a blurb about my upcoming Christmas novella!
Lucky $3.99
By Ana Bosch
Ever since Martel Heller rolled his first dreadlock, his love life has been blessed. For seven years he’s had the luxury of cherry-picking the hottest men available. But when the dress code at his new job forces him to hack off his lucky locks, his good fortune comes to an end.
By Ana Bosch
Ever since Martel Heller rolled his first dreadlock, his love life has been blessed. For seven years he’s had the luxury of cherry-picking the hottest men available. But when the dress code at his new job forces him to hack off his lucky locks, his good fortune comes to an end.
To make matters worse, if Martel shows up at the company Christmas party alone, his creepy coworker Phil will know he’s single. As a last resort, Martel enlists his best friend, Felix, a fashion photographer, to hook him up with a model. Then plans fall through, and Martel ends up stuck at the Christmas party with the last person he expects—but as the hours pass, he wonders if he's finally learned what it means to be lucky.
This story is part of the "Evergreen" Advent Calendar Anthology, and it will also be available for individual purchase starting December 1.
Monday, September 24, 2012
Bonds of Death - Cover Reveal and Blurb
As promised, I'm revealing the cover for Bonds of Death today! And oh man, this one is a little..... I don't have words.
After the preliminary sketch, I mentioned on Twitter that the idea for the cover seemed much less suggestive in my head than it did once I put it on paper, and that's still the case now that the image is complete. It's definitely the most suggestive cover I've done so far.
Like the Art of Death cover, I found inspiration in Male Nude Known as Hector, by Jacques-Louis David. Unlike Art of Death, where Riley's eyes were in shadow, I wanted them to be highlighted on this cover.
So anyway... here's the cover and the blurb!
Fresh out of a messy breakup, starving artist Riley Burke has found happiness with Westwood, his new undead lover—enough happiness that when his friend Porter warns him that the undead only see humans as flashy playthings, Riley looks the other way. After all, he only wants a bit of fun. It's not like he's asking Westwood to put a ring on his finger.
After the preliminary sketch, I mentioned on Twitter that the idea for the cover seemed much less suggestive in my head than it did once I put it on paper, and that's still the case now that the image is complete. It's definitely the most suggestive cover I've done so far.
Like the Art of Death cover, I found inspiration in Male Nude Known as Hector, by Jacques-Louis David. Unlike Art of Death, where Riley's eyes were in shadow, I wanted them to be highlighted on this cover.
So anyway... here's the cover and the blurb!
Fresh out of a messy breakup, starving artist Riley Burke has found happiness with Westwood, his new undead lover—enough happiness that when his friend Porter warns him that the undead only see humans as flashy playthings, Riley looks the other way. After all, he only wants a bit of fun. It's not like he's asking Westwood to put a ring on his finger.
Once a brutal and violent criminal, Westwood now atones for
his past by punishing the undead for crimes against humans. But his job
doesn't make him
popular with his undead brethren—and someone has a thirst for revenge.
That someone has
uncovered Westwood’s weakness and is on the hunt. To withstand an
attack, Westwood must bolster his strength by taking on a
human worshipper. He turns to Riley, but Riley is terrified of the bond
Westwood's ritual will create. He would rather risk
his life pursuing Westwood's attacker than risk opening his soul to a
man who doesn't respect him. But time is running out, and if Riley and
Westwood can't come
together, one of them might pay the ultimate price.
RELEASES 10/19 FROM DREAMSPINNER PRESS
RELEASES 10/19 FROM DREAMSPINNER PRESS
Thursday, May 3, 2012
Art of Death - The Cover Reveal
Okay, I deeply apologize for "cockteasing" you guys all week, as it's been said! ^_^ So here it is! The cover art for Art of Death! Click here to see it all giant and big!
I occasionally still giggle when I look at this. I'm like, "Yo, Riley. Why're you standing around half naked with a bunch of fruit?" But at the same time, it all makes such perfect sense to me! Nude model at an art school? Then yes, this is life.
The first edits are now back with the publisher, and I'm excited at the prospect of soon having a pretty manuscript to go with the (imho) pretty cover!
As mentioned, I plan to do a 12"x18" glossy print giveaway in the next couple months. Keep an eye on my blog or Facebook page for details in the near future!
Wednesday, May 2, 2012
Countdown to the Art of Death Cover Reveal! #1
We're down to the last preview before I reveal the Art of Death cover art tomorrow! As some of you may know, I like to post "ridiculously cropped WIPs" of my cover art in progress. I think this crop would fall into that category. I call it, "Would you like an apple to go with that six pack?"
Tuesday, May 1, 2012
Countdown to the Art of Death Cover Reveal! #2
Holy crap, with the way my workload has been for the past few weeks, I can't believe I'm still alive! :cue melodramatic music: But I am, so here's another preview of the Art of Death cover!
Yesterday we saw the finished image of Riley's lovely face for the first time. Today, I'll share a little "behind the scenes" look at painting his face. I paint in three basic steps - sketch, underpainting, and final painting. The sketch is pretty self explanatory (although I have to admit it's a little sloppier than usual, since I didn't have to send in a clean and pretty draft for approval this time). Underpainting is the translucent color, lighting, and shadow I lay in so I can still see the sketch, and the final painting is all the detail work.
There are a lot of painters in Art of Death, and a few scenes that describe the process of oil painting. I haven't done an oil painting in years, but this story makes me want to grab some oils and play around again - if only I had the time and money!
Yesterday we saw the finished image of Riley's lovely face for the first time. Today, I'll share a little "behind the scenes" look at painting his face. I paint in three basic steps - sketch, underpainting, and final painting. The sketch is pretty self explanatory (although I have to admit it's a little sloppier than usual, since I didn't have to send in a clean and pretty draft for approval this time). Underpainting is the translucent color, lighting, and shadow I lay in so I can still see the sketch, and the final painting is all the detail work.
There are a lot of painters in Art of Death, and a few scenes that describe the process of oil painting. I haven't done an oil painting in years, but this story makes me want to grab some oils and play around again - if only I had the time and money!
Monday, April 30, 2012
Countdown to the Art of Death Cover Reveal! #3
The very first thing I decided about the Art of Death cover, before even settling on the Caravaggio/old painting inspiration, was that I wanted to show Riley's face but have his eyes be in shadow.
One of the things I've really enjoyed lately is experimenting with how expressive eyes can be while including as little detail in them as possible. While a detailed rendered eye can be really cool (which is what I aimed for in my cover for The Dragon Tamer), it can also end up lifeless and lacking in emotion. I wanted to show only enough of Riley's eyes to get the emotion across, and no more.
One of the things I've really enjoyed lately is experimenting with how expressive eyes can be while including as little detail in them as possible. While a detailed rendered eye can be really cool (which is what I aimed for in my cover for The Dragon Tamer), it can also end up lifeless and lacking in emotion. I wanted to show only enough of Riley's eyes to get the emotion across, and no more.
Sunday, April 29, 2012
Countdown to the Art of Death Cover Reveal! #4
Another preview snippet of the Art of Death cover!
Did I mention something a few days back about attractive guys posing with fruit? Oh yeah, and wine. And there's the ultra subtle artist's signature at the bottom! (It prints a little clearer than it looks here in the jpeg.)
Did I mention something a few days back about attractive guys posing with fruit? Oh yeah, and wine. And there's the ultra subtle artist's signature at the bottom! (It prints a little clearer than it looks here in the jpeg.)
Saturday, April 28, 2012
Countdown to the Art of Death Cover Reveal! #5
Ah, I'm a couple hours late with this cover preview. Sorry! I spent all day immersed in another cover art job and lost track of time. Anyway, here's a detail shot of part of the cover!
Hmm... Riley, what's that red liquid in the bottle you're holding...?
Hmm... Riley, what's that red liquid in the bottle you're holding...?
Friday, April 27, 2012
Countdown to the Art of Death Cover Reveal! #6
Okay, it's decided! On Thursday, May 3, I will reveal the cover art for Art of Death!
Until then, every day I'll post a teaser or preview, such as a detail or progress shot. Today, I'm starting with how I (or perhaps I should say my "other" self) came up with the concept for the cover.
First off, a bit of background: Art of Death is a novel about a starving artist named Riley Burke who works as a nude model at the local art school in order to make ends meet. Needless to say, he's ecstatic when he gets an offer to pose for a highly lucrative modeling session with Coliaro, a famous oil painter from Chicago.
Of course, there's more to the story than that, but that's where the inspiration started for my cover art. I always imagined Coliaro's painting style to be similar to Michelangelo Merisi da Caravaggio's.
Until then, every day I'll post a teaser or preview, such as a detail or progress shot. Today, I'm starting with how I (or perhaps I should say my "other" self) came up with the concept for the cover.
First off, a bit of background: Art of Death is a novel about a starving artist named Riley Burke who works as a nude model at the local art school in order to make ends meet. Needless to say, he's ecstatic when he gets an offer to pose for a highly lucrative modeling session with Coliaro, a famous oil painter from Chicago.
Of course, there's more to the story than that, but that's where the inspiration started for my cover art. I always imagined Coliaro's painting style to be similar to Michelangelo Merisi da Caravaggio's.
Boy with a Basket of Fruit, Caravaggio, courtesy of Wikipedia
I chose to do the cover art with Riley in a manner similar to Caravaggio's early work, which often involved attractive youths with fruit and the like. The cover depicts Riley as if posing for a Coliaro oil painting, and the technique is meant to recreate the look and feel of oil on canvas. But of course, this is modern day Sarasota, Florida, not 16th century Italy. Oh, and did I mention the rumor that the famous artist Coliaro is actually undead?
So yes, the Art of Death cover is like a Caravaggio painting, but with a bit of a creepy twist.
More to come tomorrow!
Monday, March 19, 2012
Characters In My Mind's Eye
I often wonder how other writers picture their characters in their heads as they write. Having worked on cover art for a couple publishers and seen spec sheets written by various writers, I can only assume different writers "see" their characters with different levels of detail. I know some writers who have muses like actors or musicians. I also know some who really don't care about their characters' physical appearances and prefer to focus on who they are and how they act.
I tend to picture my characters in very high detail, at least in part because I'm an artist by profession. While I haven't drawn Riley from Art of Death yet, I can see him in my mind like an photo in a yearbook. I can see down to the shape of his chin, the amount of wave in his hair, the length of his sideburns, the way the shadows fall below his cheekbones. I know his build and what he would wear. I don't necessarily describe my characters in this much detail while writing, but it's always there in the back of my mind.
The more I write a character, the clearer the image in my head becomes. I don't see supporting characters quite as clearly as the leads, and even the leads are unclear until I have a chance to get to know them.
Again because I'm an artist, I often sketch my characters just for the fun of it. But ironically, the way I sketch them is almost never the way I picture them in my head. When I work on a graphic novel, the characters have a distinct look, and it's my job to stay as consistent as possible. But when I draw characters from my prose novels, they're likely to look different every time I draw them, depending on my mood at the time.
A good example of this is the cover for The Dragon Tamer. The way I drew Aedan on the cover is not quite the way I picture him in my head. This was deliberate; I wanted a powerful image for the cover with as much universal appeal as possible, so I adjusted his features accordingly. I've drawn Aedan three times, and each of those times, he could have been an entirely different character.
I'd be curious to know how readers picture Drake from the Dragon Tamer. His appearance is never described in the story. It's inspiring to know, based on feedback so far, that readers didn't necessarily need a physical description in order to like him.
I may post drawings of my characters from time to time, but I don't consider my own drawings to carry any more truth or authenticity than fan art. If I share my drawings, it's just for fun, not to inform anyone of how my characters "really" look. The beauty of fiction is everyone can picture a character differently, and they can even change their minds from morning to evening.
I tend to picture my characters in very high detail, at least in part because I'm an artist by profession. While I haven't drawn Riley from Art of Death yet, I can see him in my mind like an photo in a yearbook. I can see down to the shape of his chin, the amount of wave in his hair, the length of his sideburns, the way the shadows fall below his cheekbones. I know his build and what he would wear. I don't necessarily describe my characters in this much detail while writing, but it's always there in the back of my mind.
The more I write a character, the clearer the image in my head becomes. I don't see supporting characters quite as clearly as the leads, and even the leads are unclear until I have a chance to get to know them.
Again because I'm an artist, I often sketch my characters just for the fun of it. But ironically, the way I sketch them is almost never the way I picture them in my head. When I work on a graphic novel, the characters have a distinct look, and it's my job to stay as consistent as possible. But when I draw characters from my prose novels, they're likely to look different every time I draw them, depending on my mood at the time.
A good example of this is the cover for The Dragon Tamer. The way I drew Aedan on the cover is not quite the way I picture him in my head. This was deliberate; I wanted a powerful image for the cover with as much universal appeal as possible, so I adjusted his features accordingly. I've drawn Aedan three times, and each of those times, he could have been an entirely different character.
I'd be curious to know how readers picture Drake from the Dragon Tamer. His appearance is never described in the story. It's inspiring to know, based on feedback so far, that readers didn't necessarily need a physical description in order to like him.
I may post drawings of my characters from time to time, but I don't consider my own drawings to carry any more truth or authenticity than fan art. If I share my drawings, it's just for fun, not to inform anyone of how my characters "really" look. The beauty of fiction is everyone can picture a character differently, and they can even change their minds from morning to evening.
Sunday, February 12, 2012
Progression Shots
Progression shots for the cover of my short story, The Dragon Tamer. I shared these at my Meet the Author event. Now sharing them here.
(P.S. The colors look sad due to gif compression. Actual image can be found in my previous posts.)
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