You can now purchase Bonds of Death through Dreamspinner Press's site! It's available in ebook and paperback.
Since I'm an author attending GayRomLit this weekend, the ebook is 25% off until 10/21. (The ebook for Art of Death is also 25% off!)
The first 20 copies of the paperback sold through Dreamspinner's site have signed sketches inside!
Buy it in ebook
Buy it in paperback
3rd party listings (Amazon, etc.) will probably be up later tomorrow. When I get a chance, I'll make an announcement.
Fresh out of a messy breakup, starving artist Riley Burke has found
happiness with Westwood, his new undead lover—enough happiness that when
his friend Porter warns him that the undead only see humans as flashy
playthings, Riley looks the other way. After all, he only wants a bit of
fun. It's not like he's asking Westwood to put a ring on his finger.
Once a brutal and violent criminal, Westwood now atones for his past by
punishing the undead for crimes against humans. But his job doesn't
make him popular with his undead brethren—and someone has a thirst for
revenge.
That someone has uncovered Westwood’s weakness and is
on the hunt. To withstand an attack, Westwood must bolster his strength
by taking on a human worshipper. He turns to Riley, but Riley is
terrified of the bond Westwood's ritual will create. He would rather
risk his life pursuing Westwood's attacker than risk opening his soul to
a man who doesn't respect him. But time is running out, and if Riley
and Westwood can't come together, one of them might pay the ultimate
price.
I'll try to put up a more thorough and informative post later in the weekend. Right now, I'm at GayRomLit in New Mexico, and having a great time! I've been getting reacquainted with several authors I met at the Dreamspinner weekend in March, as well as authors I've known online but never met before. At my current level of tiredness (and lack of sobriety), I don't yet want to attempt to list all the awesome people I've talked to, but I will definitely be mentioning many of them in the near future. I caught my first glimpse of the paperback of Bonds of Death in the swag room yesterday, and I was really happy with the way the cover printed. It looks great!
And hey, if you're also attending GayRomLit, come say hi to me! I'm the one with the name tag that says Ana Bosch. ;) And you can pick up my books in the swag room at Dreamspinner's table for only $15.
Thursday, October 18, 2012
Monday, October 15, 2012
Another Bonds of Death Excerpt
Bonds of Death releases on Friday! FRIDAY! Until then, enjoy this excerpt.
(FYI, a wights-only party is a party where the undead are hooked up with human worshippers.)
----------------------
(FYI, a wights-only party is a party where the undead are hooked up with human worshippers.)
----------------------
On
Wednesday night, Porter shyly asked Riley if he’d be willing to pose for a
painting, “for old time’s sake,” as he put it. The setup in his bedroom wasn’t
ideal, but at the moment he couldn’t afford to rent a studio space.
As
requested, Riley sat sideways in a wooden chair, facing away so Porter could
paint his back. Riley usually preferred Porter’s paintings when they included
the model’s face because he had a knack for capturing likenesses and subtle
hints of emotion, but a painting from behind meant he didn’t have to keep a
rigid expression, and they could even converse while Porter worked. As Porter
laid down the underpainting on his canvas, Riley filled him in on what had
happened during the days he’d been gone, including all the details of Riley’s
foray into designing baby dolls and Matt’s promise to send him more work.
A
couple hours into the pose, Riley asked, “How does my back look? Is it getting
too bony?”
Porter
laughed out loud. “Relax, Riley. It’s just a painting.”
“I’m
curious, that’s all.”
“You’re
as gorgeous as always, okay? Jeez, I never understand you people with your
perfect bodies who fret about every pound you gain or lose.”
After a
pause, Riley reluctantly explained, “Westwood thinks I’m getting too skinny.”
“Is that why he hasn’t been coming around lately? What a
douchebag.”
“How do
you know he hasn’t been coming around? He usually lets himself in through my
window.”
“Well,
it’s been a long time since I’ve heard your bedsprings screaming for mercy.” He
chuckled. “Or you, for that matter.”
Riley’s
face went red. “I didn’t think you could hear.”
“Uh,
yeah. I can hear. Mrs. Mason and I always analyze your performances when we run
into each other in the stairwell.”
“Mrs.
Mason? The old lady from the third floor?”
“Yep. I
love her. She’s hilarious.”
“Man,
you suck.” He waited, listening to Porter’s rhythmic scratchy brushstrokes for
a minute before speaking again. “But no, that’s not why Westwood hasn’t been
around. I think he’s… mad at me.”
“Why
should he be mad at you?”
Riley
frowned. “Well really, it’s all Quinn’s fault. She put me on the spot. She said
Westwood needed to get stronger in order to survive an attack with your blood,
and she asked me to worship him.”
The
brushstrokes stopped. “And?”
“I said
no. Well, I didn’t exactly say no, but I didn’t say yes, and Westwood obviously
knew I was about to say no. He walked out of the meeting. And he was my ride,
so Quinn had to drop me back at his house to pick up my car. And by the way, it
doesn’t get any more awkward than being stuck alone in a car with Quinn.”
Porter
began painting again. After a minute, he said, “In a sense, I see where Quinn
is coming from. I personally don’t care if Westwood bites it, but apparently he
does good work for Lychgate, so I guess it would be best for him to pick up a
follower and get stronger.” He paused. “But you and Westwood are sleeping
together. You’re the last person Quinn should be asking.”
“You
think so?”
“Definitely,”
Porter said. “You know how I feel about Westwood. He’s in it for himself. He
always has been. You’ve been seeing each other for six months, and he probably
doesn’t even know your middle name.”
“We
didn’t see each other much for the first three months. Things only started
picking up in June. And besides, I’m fine with things the way they are. He
doesn’t need to know my life story.”
“But
he’s already taking advantage of you, and if you start worshipping him, it’s
just going to go to his head.”
“He
doesn’t take advantage of me,” Riley protested. “I know how to take care of
myself, Porter. And when he and I are together, I want it as much as he does.”
“I’m
sure you have wonderful sex together,” Porter said. “But that’s not what I
mean. It’s like when you were telling me about your big car chase. All Westwood
cared about was running that other car off the road so he could save his own
skin. You said it yourself; he didn’t even consider what it could have meant
for you until Quinn told him off.” Again, the brushstrokes slowed. “Even though
I’ve been undead for twenty years, I live as a human, and most of the undead I
run into think I’m human. It’s become clear to me that most undead don’t have a
lot of respect for humans. They think humans are inferior, and they don’t have
much consideration for a human’s life. Since they can die and come back over
and over, they forget what it’s like for the people who only have one shot at
it.”
“Westwood
is ignorant,” Riley admitted. “He doesn’t know any better. But that doesn’t
mean he can’t change.”
“Do you
think worshipping him is the way to get him to change?”
Riley
didn’t reply. He remembered the last time he and Westwood had slept together.
He remembered Westwood holding him down, positioning Riley’s body to his
liking, and going at it without another thought. That night, Riley might as
well have been a hole in the mattress, for all Westwood seemed to care about
his half of the experience.
After a
moment, Porter asked, “Can you relax your shoulders? Your muscles are
bunching.”
“Oh,
sorry.” Riley corrected his posture.
“Perfect.
Thanks.” The brushstrokes resumed. “I’m sure there’s another human out there
who’s willing to worship Westwood. It may be hard for him to find and seduce
that person. He doesn’t know how to turn on the charm like, say, Thackary for
example. But he’ll find someone. Heck, maybe you can help him look.” Another
pause. “I just don’t know if you want to go opening yourself up to him like
that.”
“I kind
of feel the same way.” Riley gave a wry laugh. “You know, I’m going to a
wights-only party this weekend. Maybe I’ll meet someone for him there.”
At
this, Porter sputtered. “Wait a minute—you’re going to a wights-only party?”
“Yeah.
Why is that so surprising?”
“Those
parties are hardcore, dude. You don’t go to a wights-only party unless you
really want to become a part of the world of the undead. I guess I figured that
even though you were dating an undead guy, you still wanted to live a normal
human life.”
“I do
want to live a normal human life.” Riley hesitated. “To be honest, the main
draw for me is the prospect of free food.”
Porter’s
resulting cackle was so loud it made Riley wince. “Why is that funny?” he
demanded.
“Dude,
you’re delusional! I don’t even know what to say to you! If I invited you to an
S&M orgy, would you come just for the hors d’oeuvres?”
“Not
for, like, a cheese cube tray. But if you did something cool with smoked salmon
or maybe some of those Thai lettuce wraps—”
“My
God, Riley!” Riley heard the sound of paintbrushes clattering on the ground.
“That’s it. I’m buying you groceries with my next paycheck.”
Riley
glanced over his shoulder. “Hey, why did you stop painting?”
Porter
tossed Riley his maroon silk robe. “I’m done.”
“Really?”
Riley pulled on the robe, heading around to the other side of the easel to take
a look. As usual, he was awestruck by Porter’s talent.
Porter’s
hand lowered onto his shoulder, bringing him out of his trance. “Hey, buddy?”
Riley
turned and met Porter’s gaze. His roommate looked unusually serious. “What?”
“If
you’re really going to go to that wights-only party, just… just watch your
back, okay? As much as I hate Westwood, at least he’s an honest guy. He doesn’t
play games. Not everyone else who goes to those parties is like that.”
Riley
considered his words. He knew it was silly, but the more people warned him
about the dangers of wights-only parties, the more he wanted to go. He still
didn’t see the harm in it. After all, no one could force him to perform a
ritual if he didn’t want to. He’d go, scope the place out, and politely excuse
himself. No big deal.
“Thanks,” he said to Porter at last. “I’ll
watch my back.”
Friday, October 12, 2012
Bonds of Death - Opening Excerpt
Bonds of Death releases in exactly one week! I can't believe how quickly the time has come. I'll be at GayRomLit from 10/17 until 10/21, so I'll be out of town on the day of the release, but I'll be sure to find some time to post news and excerpts and other fun stuff regardless.
For today, I'm sharing an excerpt. This is opening of Bonds of Death, and we get to find out what Riley, Westwood, and Porter have been up to for the past six months since the end of Art of Death.
----------------------
A wash of yellow light spread across
Westwood’s arm, hitting with a pinprick highlight at the height of his bicep
and diffusing over his taut bronze skin. Riley feathered the surface of his
canvas with his dry fan brush, blending the previously rough brushstrokes for a
softer finish. For a moment, he sat back to admire his subject at the far end
of the bedroom. Westwood’s face was partially buried in the crook of his hefty
arm, exposing the small star-shaped tattoo on the back of his shoulder. His
legs were bent as he lay on his stomach. The white bedsheet laced between his muscular thighs barely
covered his nudity.
A better artist would have been able
to portray the chasteness of the scene, but to Riley, there was no chaste way
to look at Westwood’s body, even if his most intimate areas were covered. Riley knew too well the touch of those hands, the
power in those limbs. With all his bulk, Westwood would have been plenty strong
as a mere human. But Westwood was no mere human, and the jutting, vein-laced
curves of muscle Riley replicated on canvas did little to portray the true
strength within his lover’s seemingly mortal frame.
He attempted a few more
brushstrokes, but he couldn’t keep his mind from wandering, from remembering
the way those arms felt last night when they squeezed him tight and pushed him
into the mattress.
Five years ago, when he was in
college, he could have painted an attractive nude male model without batting an
eye. Then again, none of those models were anything like Westwood.
As his eyes lingered on the
bare-skinned man amidst the scattered sheets, he began idly chewing the back of
his paintbrush.
Blech. Oil paint doesn’t taste
good.
He
scrubbed at his tongue and spat. Disgusting.
Sheets
rustled, and Westwood groaned like a disgruntled wolf. He raised his eyes,
fixing his coal-black gaze on Riley. “The fuck are you doing?”
“Nothing!”
Riley squeaked, attempting to turn his easel as if he were painting the bare
wall.
Westwood
scrambled up to his seat, pulling the bedsheets close in an unwitting
caricature of a demure maiden. “Were you painting me while I slept?”
“I….”
“Goddamn,
Riley. Since when did you become a creeper?”
Riley
scowled, tossing his paint rag onto the drop cloth he’d stretched across the
carpet. “I think I like you better when you’re not awake.”
“Spoken
like a true creeper.”
Riley
scooped up his paintbrushes and shoved them into a bucket before reaching for
the canvas. “Whoa!” Westwood called, rising from the mattress. “You’re not
going to let me see?”
“Of
course not.” Riley tried to shield the canvas with his body as Westwood
approached. “You know oils aren’t my strength. I’m a digital painter. I’m
really rusty when it comes to traditional media.”
“Excuses,
excuses. Let me see.”
“But
I….”
Westwood
shoved him aside indelicately, eyeing the canvas with all the artistic
discretion of a teen flipping through a Playgirl magazine. “Hmm. You got my
nose wrong.”
“Your
nose was smushed into the pillows. I got it exactly the way it looked.”
Westwood
gave a careless shrug. “You know, this is the first time I’m actually seeing
your artwork.”
“And?”
“I
guess you’re okay at it. At least you’re better than me.”
“I
should hope so. I have a degree in this, you know.”
“Porter
doesn’t have a degree, but he’s still better than you.”
“Porter
only doesn’t have a degree because he keeps dying before he can get through
college. He may look like he’s only twenty, but he’s got decades of practical
experience more than me.” Riley whipped the canvas out of Westwood’s hands.
“And did I ever tell you you’re kind of a dick?”
Westwood
tapped the surface of the painting. “You got that part wrong too.”
“You
were on your stomach.”
Westwood
raised his eyebrows as Riley shoved the canvas into a narrow gap behind his
computer desk. “I don’t see why you have to paint me in the first place. Why
don’t you grab a bunch of fruit and stick it on your table and paint that?
Isn’t that what you artist types do? Still life paintings?”
“I
don’t think a couple packets of ramen and a bag of frozen vegetables would make
for a very compelling still life.” He frowned. “In case you forgot, I’m no
longer the kept boyfriend of a rich lawyer. I’m the single unemployed artist who moonlights as a nude model at
Prestwick College of Art. Fresh fruit is a luxury I can’t always afford.”
Riley
idly examined a spot on the bedroom wall where the painters had spackled over a
flattened roach. Gems like this were plentiful in the new two-bedroom apartment
he shared with Porter Gomez. It had only been a few weeks since they’d moved
in, but he was already beginning to wonder if it was even worth the minuscule
amount he’d have to scrape together for rent every month.
“I’m
not so sure about this apartment,” Westwood said as if reading his mind. “I
thought I heard something in the middle of the night, but I was too tired to
check it out.”
“Oh,
that was the police. They arrested the crack dealer downstairs.”
“Lovely.”
“This
was all I could afford,” Riley said defensively. “I couldn’t stay at Nick’s
place, and staying with Mr. Tobias, my old painting teacher from Prestwick, was
just awkward. I mean, unless you want me to move in with you….”
“Don’t
even joke about that.” Westwood gave Riley a shove that was only half-playful.
Riley
finished gathering his paints in uncomfortable silence. In truth, he didn’t
want to move in with Westwood any more than Westwood did. The way Riley saw it,
things were fine as they were. He went about his daily business, worked,
chatted with his roommate, tried to navigate through the daunting world of
networking with other artists, and occasionally woke up to Westwood climbing
through his window and tackling him—an impressive feat considering the
apartment’s location on the second floor. Riley was happy enough with their
current arrangement. Even after six months, it felt like he was in a brand new
relationship. Sex and independence,
along with the occasional conversation. It was exciting, and he didn’t spend
enough time with Westwood to get annoyed by his personality.
“You
have to work today?” Westwood asked.
“Yeah.”
Riley finished stowing the last of his painting supplies and collapsed his
easel. As he folded the drop cloth into a crinkly square, he added, “I thought
it’d be nice to get a little bit of painting in before I have to be on the
other side of the easel at nine.” He glanced at the alarm clock on his
thirty-dollar IKEA nightstand. “Speaking of which, I have to hop in the shower,
so unless you want to join me, you should probably get going.”
“Your
shower’s too small. I’ll go. But I want to get a glass of water first.”
“Wait!”
Westwood
stopped midstride, his hand on the doorknob. “What?”
“I
don’t want you to scare Porter again.”
Two
days earlier, Westwood had wandered naked out of the bedroom exactly as he was
about to do now. Porter had been at the fridge, and upon seeing Westwood, he’d
yelped like a startled Chihuahua and dropped an entire milk carton on the
floor. It had been a rare half-gallon carton of organic milk from Whole Foods
that Riley had been looking forward to using in his coffee. But as sad as he’d
been to say good-bye to the five-dollar
milk, he’d felt even guiltier for having put Porter in that uncomfortable
situation.
“Porter’s
had twenty years to get used to seeing me,” Westwood said.
“Not in
his house without warning, though. I don’t blame him for being freaked. You
were the one who took his mortality, after all.”
“You
kill a guy once, and he never gets over it,” Westwood muttered under his
breath.
“Twice,”
Riley corrected.
“Whatever.
Anyway, I don’t hear him out there. I’m going.”
Riley
pulled on a robe as he followed Westwood to the door. When he stepped out into
the hallway, he saw no signs of his lanky, shaggy-haired roommate. Porter
usually slept late, but across the cramped living room, Riley could see that
his door was wide open and the bedroom unoccupied. Unlike Riley’s room, which
was still lined with unpacked boxes, Porter’s room was bare, instantly
displaying his characteristic lack of personal effects.
“You
think he slept over at the bar?” Riley asked.
“I
don’t know. I don’t care.”
Riley
cringed as Westwood helped himself to Sarasota’s questionable tap water. He
then watched the water disappear from the glass in four impossibly large gulps.
As Riley turned toward the bathroom, Westwood caught his arm. “One more thing before
I go.”
“Yeah?”
Westwood
tore open the belt of Riley’s robe, lifting him off the ground and slamming him
on his back across the kitchen table. He whipped off Riley’s underwear and
grabbed him below the knees, pulling him close. With a mischievous laugh, Riley
dug his fingers into Westwood’s shoulders and readied himself for the ride.
Thursday, October 4, 2012
Signed/Sketched Copies of Bonds of Death!
The release of Bonds of Death is just about two weeks away, and I just finished signing my vellums to be inserted in the first 20 paperback copies sold through Dreamspinner Press's site! And just like I did with the first 20 copies of Art of Death, I did 20 new sketches along with my signature for Bonds of Death.
The vellums got to me earlier this time, so I was able to put a little more time into the sketches as well. I worked on them all through the presidential debate, but don't worry, there are no Obama or Romney portraits on the vellums. ;) This time I did all characters and items from Bonds of Death. So here they are!
1. Riley Burke
2. Westwood
3. Porter Gomez
4. Arman
5. Quinn Harcourt
6. Charlotte
7. Rico
8. Chester
9. Lucy
10. Jasmine
11. Riley Burke 2
12. Porter Gomez 2
13. Westwood 2
14. Arman 2
15. Quinn Harcourt 2
16. Thackary Jones
17. Red Wine
18. Westwood 3
19. Riley Burke 3
20. Porter Gomez 3
Riley, Westwood, Porter, and Quinn of course were all in Art of Death, and Thackary was mentioned, but the rest are making their first appearances. Charlotte happens to be the central character in my very favorite scene of Bonds of Death—which is actually probably my favorite scene out of any I've ever written. And I love Rico. Arman didn't come out exactly as I imagined him.... Sometime I'll have to do a full painted portrait of him.
Anyway, I'm really excited about being able to have these sketches in the first 20 paperbacks. They'll be available through the Dreamspinner Press site starting on October 19!
The vellums got to me earlier this time, so I was able to put a little more time into the sketches as well. I worked on them all through the presidential debate, but don't worry, there are no Obama or Romney portraits on the vellums. ;) This time I did all characters and items from Bonds of Death. So here they are!
1. Riley Burke
2. Westwood
3. Porter Gomez
4. Arman
5. Quinn Harcourt
6. Charlotte
7. Rico
8. Chester
9. Lucy
10. Jasmine
11. Riley Burke 2
12. Porter Gomez 2
13. Westwood 2
14. Arman 2
15. Quinn Harcourt 2
16. Thackary Jones
17. Red Wine
18. Westwood 3
19. Riley Burke 3
20. Porter Gomez 3
Riley, Westwood, Porter, and Quinn of course were all in Art of Death, and Thackary was mentioned, but the rest are making their first appearances. Charlotte happens to be the central character in my very favorite scene of Bonds of Death—which is actually probably my favorite scene out of any I've ever written. And I love Rico. Arman didn't come out exactly as I imagined him.... Sometime I'll have to do a full painted portrait of him.
Anyway, I'm really excited about being able to have these sketches in the first 20 paperbacks. They'll be available through the Dreamspinner Press site starting on October 19!
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